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Críticas Patrick Macey's intriguing inquiry, Bonfire Songs: Savonarola's musical legacy, is a study of the religious songs of Savonarolan Florence and of the music subsequently evoked by some of the friar's sacred texts ... This book comes with a wonderful compact disc and seventy-five minutes of much of the music here explored: carnival songs, lauds, motets and verse anthems, performed by the Capella Antiqua of the Eastman School of Music in Rochester, New York, and directed by Patrick Macey himself. Bravo! (Lauro Martines, TLS) Reseña del editor Fra Girolamo Savonarola had a profound effect on the political and moral life of Florence in the 1490s, and his legacy lived on during the century after his execution in 1498, not just in Florence but in Ferrara and beyond the Alps, as far as Paris, Munich, and London. This study reconstructs contexts and musical settings for the popular tradition of sacred laude that were sung during the Savonarolan carnivals in 1496, 1497, and 1498. It further examines a broad network of patronage for the courtly tradition of Latin motets that provided elaborate musical settings for Savonarola's meditations on Psalms 30 and 50. The friar's success in Florence can be partially attributed to his adoption of sacred laude (and the tunes of bawdy carnival songs) that had been promoted by Lorenzo de' Medici. The texts of the old carnival songs were suppressed, but the music was adapted to laude with texts that proclaim the friar's prophecy of castigation and renewal. The citizens could thus internalize Savonarola's message by singing it. Savonarola himself wrote several lauda texts, and their musical settings are reconstructed here, as well as those for an underground tradition of laude written to venerate him after his execution. Part II turns to the courtly tradition and the Latin motet. Several Catholic patrons, scattered from Ferrara to France to England, were drawn to the friar's prison meditation on Psalms 30 and 50, and they commissioned elaborate musical settings of the opening words of both. A dozen motets on the friar's psalm meditations can be traced from composers such as Willaert, Rore, Le Jeune, Lassus, and Byrd. Savonarola's highly personal texts inspired some of the most moving musical settings of the sixteenth century, in spite of the Church's unfavourable attitude toward the friar's disruptive example, which had set a precedent for Protestant reformers such as Martin Luther.
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Bonfire songs savonarolas musical legacy patrick paul bonfire songs savonarolas musical legacy oxford monographs on music authors patrick paul macey associate professor of musicology eastman school of music patrick macey edition illustrated publisher clarendon press 1998 isbn 0198166699 9780198166696 length 359 pages subjects
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